Category Archives: Film/TV

Sci-Fi TV Redux

I started watching two dead sci-fi shows this week.  One, gone a couple years.  The other, in the virtual ground since the mid-90’s.

I’d been intrigued by Space: Above and Beyond for some time.  Creators Glen Morgan and James Wong had come off The X-Files, and would go on to write some of the most brilliant TV imaginable during their tenure on Millennium.  It also helped that one of the leads is Kristen Cloke, again for my money immortalized in Millennium.  I’m about three episodes into its single season and - I’m underwhelmed.  The writing is spotty.  The acting is fair.  The effects are nigh abysmal, though I try to cut it some slack - it was 1995.  There are some cool ideas, and certain elements - the military lifestyle - would be echoed in the Galactica reboot years later.  I’ll keep watching - and hope that things improve.

On the other end of the spectrum, I had no high hopes for Terminator: The Sarah Connor Chronicles, despite the fact that it seemed to possess a rabid fan-base and some decent reviews.  I’m now two episodes into this series - and I like it quite a bit.  Showrunner Josh Friedman plays with the inherent mythos of the first two films, disregards the third almost entirely, and comes up with some plausible expansions.  And - while I’ll no doubt take some heavy flak for this - I so prefer Summer Glau as female terminator Cameron to her turn as River in Firefly.  Never could stand her in that show; for me, she was the weakest link.  In this show, however, she truly shines as the seemingly naive, badass cyborg, and steals every scene.

I look forward to finishing these both through to the end.

Sir Patrick Stewart

The picture is just so full of awesome that I can’t not re-post it here.

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The Return of Whit Stillman

whit

Writer/Director of Metropolitan, Barcelona, and Last Days of Disco.  I had the good fortune to speak with him a couple times while he was on a book tour a few years ago.  Very friendly chap.  His return is long overdue.  Here’s the overview of his next feature - Damsels in Distress - shooting this summer:

[The picture] centers on a group of college girls who take in a new student and teach her their own misguided ways of helping people. Lily, a new student at Seven Oaks University, winds up filling in with a dynamic and highly individualistic group of girls, addicted to the elegance of the past: Heather, Violet and Rose all volunteer at the campus Suicide Prevention Center, convinced that musical dance, sharp clothes and good hygiene — the Dior perfume “Diorissimo” is their trademark — can all contribute to staving off the inevitable self-destructive impulses that follow hard on the heels of failed college romances. Despite their sophisticated talk and savvy use of perfume, the girls are plagued by Cupid’s arrows and must adjust their psyches to the onset of amour.

When I first saw Metropolitan back in the early nineties on VHS, my girlfriend and I hated it so much that we ejected it and returned it to the video store after about a half hour.  Speaking for myself, my palette just wasn’t attuned to his style yet.  A few years later, I watched Barcelona on a recommendation from an acquaintance at a laser disc store - yes, I just completely lost the under-20 crowd - and marveled at the film’s humor, sensitivity, and humanity.  After this, I tried Metropolitan again - and watched it back-to-back in the same night.  It was - and remains - that good.

Grant Morrison & Stephen Fry Materialize on the BBC

Bleeding Cool has announced that Paul McGuigan will direct a seven episode series for the BBC, starring Stephen Fry and written by Grant Morrison.  McGuigan elucidates:

It’s seven episodes. It takes place over seven days around an event that happens in Scotland. It’s a modern take on an old fable or fairy story. If you know Grant’s work you might have an idea of what it will be like. It’s like Twin Peaks meets Brigadoon! It’s off the wall and smart but in a watchable commercial way. It’s still in the early stages but I’m very excited about it.

Looking forward to this more than most anything else in any medium.

Birdemic

This is making the rounds….

Quick Oscar Thoughts

The Academy Award nominations came out today.  Oddly enough, not much excites or infuriates me.  Surprised that films like Nine, Invictus, and - my god - The Blind Side scored noms, considering the critical beatings they all suffered.  Pleased that District 9, A Serious Man, and Fantastic Mr. Fox got nods.  Oh, yes, and thrilled that Up was nominated both for Best Picture and Best Animated Feature.

I suppose it’s worth acknowledging the the number of nominations for science fiction films.  Just guessing, but I suspect it’s the most ever.  Can’t say I’m rooting for Avatar in anything other than visual effects - for which its victory is a given.  I despised Star Trek - and its nomination for Best Makeup has me puzzled - but glad to see it represented with its genre companions.

Will likely watch the show for the first time in a couple years.

Things On My Mind

A longer post today, I think. A few things dancing around my brain.

Saw Where the Wild Things Are and Paranormal Activity. These may seem like vastly different films, but I was struck by both their similarities and my similar reactions to each. The greatest strength of the former is how perfectly it taps into the imaginary process of a young boy - emotional reactions, chaotic creativity, subconscious use of symbolism. This all sounds a bit high-falutin’, but it’s the most concise way for me to put it. Nevertheless, the film left me wanting something more. Can’t quite put my finger on it, but I did find myself checking out of the picture more than once. Truth be told, I don’t know what I’d add or take away.

All I knew about Paranormal Activity is that it dealt with a haunting and was make for something like $1.49. They do a good job of creating a slow burn of scares - noises, then slight movements in the dark, then… well, no sense spoiling for those who care. However, I didn’t really buy the mythology they were creating. Don’t get me wrong; I was suitably freaked out after the film, but for different reasons (to be explained below). That said, the filmmakers’ view of demons seemed to change every ten minutes. Of course, it’s fiction and they can do whatever they damn well please. I just didn’t buy the end of the film, where the established rules seem to be tossed in favor of something “more spooky”.

What they do really well is show that two of the best tools for cinematic terror are repetition and a locked-down camera. These guys get more mileage out of a static shot of a bedroom and its open door than any other horror film in the last decade. And we’re given this shot… how many times? Feels like a dozen. Probably more like eight. But, it carries serious power. You know something is going to happen, but you don’t know what. Again, the filmmakers show their skill by spooning it out, just a little bit more each time - and always different. With the camera sitting there still, we the audience are just as trapped as the couple in bed. The camera’s not going to turn away. It’s not going to pan to something innocuous. There won’t be any cutaways to close-ups of the sleeping couple, a vase of flowers, a picture on a nightstand. We are there to look at things from this ONE vantage point, like Alex with his eyes propped open in A Clockwork Orange.

Strangely enough, both films have odd similarities. A snowball or dirtclod fight is great fun, until somebody gets hurt. Same can be said of messing with the supernatural. Both films have a handful of characters; PA has literally four people in the whole picture. And, each movie focuses on the notion that you can’t run away from your problems - be they domestic or demonic.

Also, I’m feeling a bit inspired by Warren Ellis’ recent post, wherein he’s tossed up a bunch of video and quotes, things that are circling around his brain that he just wants to get all in one place that he might sort them out in some fashion. To that end, here are a few things that matter to me on some level. Perhaps they’ll add to something. Perhaps not.

















Screenwriting Expo

Last week I attended the Screenwriting Expo in Los Angeles. As in past years, I did a fair amount of networking, trading business cards and success/horror stories with other writers. However, this time around I actually bellied up to the bar and pitched various screenplays to select members of the 40-something production companies and agencies that showed up. Mostly favorable responses, I’m happy to report. Four-out-of-five took copies of my one-sheet back to their Overseers. A good and productive journey to be sure.

Now, it’s back to basics – continuing to polish the screenplays, doing a rewrite or two of the comic anthology stories, writing parts two and three (and maybe, yes, FOUR) of Wavelength. Plus, I’m looking into the notion of having not one but SIX covers for the Wondercon anthology, so I need to get talking to artists about that. And, there’s this kernel of another comic idea. Actually, it’s not another story, per se…. It’s more along the lines of pursuing another avenue to get the work out there. But, as I say, this is at the thinking-about-it stage. If it gestates and grows, then there will be more info here.

Mass Blogginess

A few things that popped up on my radar today….

pkd1

  • Also, there appears to be an increased possibility of a Millennium film.  It also seems that Lance Henriksen would be on board, but no Chris Carter.   Fine by me.  Henriksen as Frank Black is a must. Carter shat all over X-Files in the shows waning years, and his handling of the second film was atrocious.

In Response to Frank Darabont

In the June issue of Empire Magazine, writer/director Frank Darabont was charged with writing about his Top 10 favorite films.  The task spiraled out of control as he realized its impossibility - he couldn’t possibly narrow it down to just 10.  Ultimately, he opted for his Top 10 favorites - in each of 22 genres.

I immediately found myself modifying his list, bending it to my own preferences and obsessions.  Like Darabont’s, what follows is not an expression of the “best” films of each genre.  These are personal favorites, movies that speak to me in spite of their inclusion or exclusion from any other list that might label them as “classics” or otherwise.  Additionally, films are not listed in order of preference, and the genre headings - again borrowed from Darabont - are “loose definitions at best.”

So, sit back and take ‘em in….

Drama

  • The Razor’s Edge (1946)
  • Casablanca
  • Wild Strawberries
  • Citizen Kane
  • Dead Poets Society
  • Lucia Y El Sexo
  • The Big Chill
  • Broadcast News
  • The Ninth Configuration
  • Lost In Translation

Science Fiction

  • 2001: A Space Odyssey
  • A Clockwork Orange
  • Blade Runner
  • The Day the Earth Stood Still (1951)
  • The Matrix
  • Star Wars
  • Close Encounters of the Third Kind
  • Solaris (2002)
  • The Empire Strikes Back
  • Altered States

Comedy

  • The Hangover
  • Harold and Maude
  • Office Space
  • After Hours
  • The Big Lebowski
  • The Graduate
  • Hannah and Her Sisters
  • Love and Death
  • The Royal Tenenbaums
  • Swingers

War

  • Black Book
  • Full Metal Jacket
  • 3 Kings
  • The Thin Red Line
  • Paths of Glory
  • Saving Private Ryan
  • The Dirty Dozen
  • Platoon
  • Apocalypse Now
  • Inglourious Basterds

Western

  • Unforgiven
  • McCabe and Mrs. Miller
  • The Proposition
  • Butch Cassidy and the Sundance Kid
  • High Plains Drifter
  • The Quick and the Dead
  • Dances With Wolves
  • Once Upon a Time in the West
  • My Darling Clementine
  • The Searchers

Horror

  • The Shining
  • The Thing (1982)
  • Let the Right One In
  • Invasion of the Body Snatchers (1978)
  • Dawn of the Dead (2004)
  • An American Werewolf in London
  • Pulse (2001)
  • The Descent
  • Alien
  • The Mist

Noir

  • The Third Man
  • Sunset Boulevard
  • Chinatown
  • Blood Simple
  • The Maltese Falcon
  • Taxi Driver
  • L.A. Confidential
  • Against All Odds
  • Angel Heart
  • Sharky’s Machine
  • Night Moves (Honorable Mention)

Thriller

  • Don’t Look Now
  • No Country for Old Men
  • The Game
  • Seven
  • Manhunter
  • Rear Window
  • Saboteur
  • Witness
  • Marathon Man
  • Strangers on a Train

Epic/Adventure

  • King Kong (1933)
  • The Bridge on the River Kwai
  • The Hidden Fortress
  • Until the End of the World
  • Aguirre, the Wrath of God
  • The Right Stuff
  • Seven Samurai
  • Braveheart
  • Troy
  • Excalibur

Costume Drama

  • Shakespeare in Love
  • Dangerous Liaisons
  • Impromptu
  • Barry Lyndon
  • Sense and Sensibility
  • The Adventures of Robin Hood
  • Henry V (1989)
  • Rosencrantz and Guildenstern are Dead
  • Last of the Mohicans (1992)
  • Room With a View

Crime

  • Mean Streets
  • Shoot the Piano Player
  • Dog Day Afternoon
  • Thief
  • Natural Born Killers
  • Bad Lieutenant
  • The Limey
  • Out of Sight
  • The Usual Suspects
  • Band of Outsiders

Music/Musical

  • Almost Famous
  • All That Jazz
  • Singin’ in the Rain
  • Amadeus
  • This is Spinal Tap
  • The Last Waltz
  • The Commitments
  • Pink Floyd’s The Wall
  • The Wizard of Oz
  • Sgt. Pepper’s Lonely Hearts Club Band

Sports

  • Bull Durham
  • Field of Dreams
  • The Cutting Edge
  • Rollerball (1975)
  • Jerry Maguire
  • Hoosiers
  • Big Wednesday
  • Pumpkin
  • Rocky
  • Rocky Balboa

Action

  • Raiders of the Lost Ark
  • The Road Warrior
  • Aliens
  • The Terminator
  • Terminator 2
  • Jaws
  • The Hunt for Red October
  • Mission: Impossible 3
  • The Bourne Identity
  • Casino Royale

Prison

  • The Shawshank Redemption
  • Grand Illusion
  • Cool Hand Luke
  • Kiss of the Spider Woman
  • A Man Escaped
  • Escape from New York
  • Schindler’s List
  • 25th Hour
  • Take the Money and Run
  • Dead Man Walking

Biographical

  • Lawrence of Arabia
  • Downfall
  • Patton
  • Walk the Line
  • Erin Brockovich
  • Hearts of Darkness: A Filmmaker’s Apocalypse
  • Star 80
  • Caligula
  • The Doors
  • Sid & Nancy

Silent Era

  • The Gold Rush
  • Metropolis
  • The Cabinet of Dr. Caligari
  • Nosferatu
  • Sunrise
  • City Lights
  • The Battleship Potemkin
  • The Last Laugh
  • Haxan, or Witchcraft Through the Ages
  • Un Chien Andalou

Fantasy

  • The Seventh Voyage of Sinbad
  • The Lord of the Rings (2001-2003)
  • Wings of Desire
  • Conan the Barbarian
  • Eternal Sunshine of the Spotless Mind
  • Videodrome
  • Slaughterhouse Five
  • Strings
  • Donnie Darko
  • Lost Highway

Superhero

  • The Dark Knight
  • X-Men
  • X-Men 2
  • Spider-Man 2
  • The Return of Captain Invincible
  • Unbreakable
  • Hellboy
  • Iron Man
  • Watchmen
  • Batman Begins

Animated

  • Toy Story
  • The Incredibles
  • Up
  • Finding Nemo
  • Lord of the Rings (1978)
  • Wizards
  • Beauty and the Beast
  • The Nightmare Before Christmas
  • South Park: Bigger, Longer & Uncut
  • Bambi

Gangsters

  • Miller’s Crossing
  • Heat
  • The Godfather
  • The Godfather, Part II
  • Goodfellas
  • King of New York
  • Pulp Fiction
  • Reservoir Dogs
  • The Untouchables
  • The Departed

Socio-Political

  • The Manchurian Candidate (1962)
  • The Conversation
  • Network
  • Inherit the Wind
  • Three Days of the Condor
  • Children of Men
  • JFK
  • Traffic
  • The Constant Gardner
  • Fight Club

Romantic Comedy

  • Annie Hall
  • Manhattan
  • When Harry Met Sally
  • Amelie
  • The Sure Thing
  • The Goodbye Girl
  • Arthur
  • It Happened One Night
  • Trust
  • Say Anything